Woman Holding a Balance, oil painting by Johannes Vermeer from about 1664. It depicts a woman who some scholars have suggested may be pregnant and thus hints at a resemblance to the Virgin Mary. She stands serenely before a table that bears a jewelry box draped with strands of gold and pearls while she waits for her small handheld balance to come to rest. The work uses symbolism to tell a lofty story through an ordinary scene.
This painting employs a carefully planned composition to explore one of Vermeer’s major preoccupations—i.e., finding life’s underlying balance. Held lightly between the woman’s slim fingers, the delicate balance forms the central focus of this painting. The vanishing point of the painting occurs at the woman’s fingertips. On the table before her lie earthly treasures—i.e., the jewelry. Behind her hangs a painting of the Last Judgment. On the wall opposite of the woman’s face is a mirror, a common symbol of vanity or worldliness, while a soft light raking across the picture sounds a spiritual note. The serene Madonna-like woman stands in the center, presumably weighing transitory worldly concerns against spiritual ones.